Friday, 04 March 2016 12:09

Snap Analysis: Why Radio Needs Music Supervisors

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In a profession that seems to only be building in momentum, Sean Ross discusses a brief history of music supervision, and why radio stations are yearning for this specific task.

Music Directors, Ross argues, were the original music supervisors, with their careful selection of curated playlists and honing in listeners. Ross goes on to suggest that "No. 1 Music Discovery" on modern day radio is merely a math equation under strict guidelines that really don't allow DJs  and music directors much creativity in physically discovering music.

Ross pleads for more transparency in the music broadcasting business, and believes that there should be a credited professional finding the latest hits. He says that the proposed position of radio music supervisor would show up on the air at any time to introduce the latest superstar release and also get accolades for finding the tune. He goes on that since music directors don't get to show a lot of enterprise "in the area of musical conservatism", music supervisors should be expected to find these hits.

We can definitely see a niche opening up here. It is a possibility, that with the trend of independent labels populating a once major-dominated industry, that we will also see a rise in independent radio stations.

Read the detailed article by Sean Ross on Billboard, and stay aware in the coming years of this new and exciting opportunity for music supervisors and music lovers alike.

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The newly revised, definitive book on music supervision, which guides you through real-world scenarios and legal landmines, explores sound design, and profiles key players.

Music supervision, or matching music to all the different mediums from films to ring tones, is one of the fastest-growing careers in the music industry, but finding the winning song for a national ad campaign or compiling a platinum movie soundtrack takes more than just good taste. Music supervision today requires serious multi-tasking and the ability to navigate licensing, relationships, and cultural trends with ease. This book guides you through real scenarios and legal landmines you might encounter; it explores sound design and profiles key players with insightful interviews, while providing project form templates that will save time for seasoned music supervisors.

This is the only guide to the career of music supervision and is ideal for the music student, musician, industry executive and of course, for those who want to break into the field of music supervision. Authors David Weiss, Ramsay Adams and David Hnatiuk are all renowned figures in the procurement and supervision of music and they apply their combined knowledge and experience to give the best possible advice and tell you how to get the job!